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Killahbeez Interview with The Faint

Posted on 11 November 2008 by Alinalicious

A long time indie favorite, dance floor rockers The Faint have brought us the undeniable truth about American politics and the daily life of the American middle class with a quirky, tongue-in-cheek approach making use of unforgettable lyrics and striking melodies that no one can shake off.  I had the opportunity to speak with Todd Fink, the lead singer of The Faint and am truly pleased to share this conversation with our readers.

As kids, what did you all want to be when you “grew up”?

Todd:  Hmmmm… well not sure if I wanted to be anything or even had certain aspirations.  Kinda sad, I know [laughter].  But I guess as I grew up I wanted to be a professional skater.

How far did you get with skating?

Todd: Right up to being a pro but then I realized that I wanted to take my time with getting better at skating so that I would have a better chance at becoming a pro with a reputable skateboarding company.  I did really well in national youth competitions and stuff.

How did the transition from skateboarding to music happen?

Todd: I had surgery for my knee from arthritis, and found out I couldn’t really skate anymore.  But from the experience of doing something that I loved, I gained the passion that transferred into music and if I kept doing it just like with skateboarding, I knew that anything was possible.

How did the members of The Faint all meet?

Todd: Well Joel is a skateboard friend and my bro Clark, I had him around all the time to go skating.  The three off us were from the skating scene and started the band.  The other guys we just met in Omaha and it just so happened that we all went to the same high school.

Did you think that you would be this successful when you all first started out?

Todd: No. I mean, we didn’t really think about it.  The only goal that I remember having was a dream to be able to go out and tour different places and know that however amount of people there would be whether big or small, that they knew our music and it happened bigger than we ever expected.  At the same time you are convinced by your own humility and it’s hard to really know which one to believe, the numbers of fans responding to the success is almost a mind fuck.

You boys are from Omaha.  How has that influenced your music and your individual creativity?

Tood: I’m sure it has, I mean we’ve all been here our whole lives and I’m sure our opinions in which things we have experienced have affected us.  There have been good record stores here and venues that are conducive to small bands performing and it’s not like we lose people to Kansas City or anywhere.  The closest place is 8 hours to Chicago.  So we are just a bunch of people for whatever reason ending up and staying here, so Omaha has a thriving music scene.

I’ve noticed you have evolved as a band since the days of Danse Macabre, Wet From Birth to your current album Fasciinatiion.  Was this planned or something more along the lines of a natural progression?

Todd: Well we sort of base it on our opinions about what sounds good and what makes sense.  To do changes over time, based on what music we hear, it’s a natural progression for better or for worse.  It’s definitely natural.

People in the past have labeled you as the “new new wave” or “dance/punk.” How do you feel about these labels?

Todd: Labels.  People love them, but in general we try not to associate with them since they are fads and catch phrases and no matter how cool they are at the time, people invest too much in the actual label and get tired of them over time.  We feel like, “listen and decide for yourself.”

If you were to describe The Faint and your music to an outsider, what words would you choose?

Todd: I’ve had to do this on the plane a few times sitting with strangers [laughter].  I guess I’ve said we play electronic rock music before.  It’s pretty general.  Or I will say we play songs with keyboards – I try to keep it literal.

Who have been your major influences in the music world and are there any current bands/acts that have caught your attention?

Todd: Fugazi has influenced us.  But you take different things from different bands, you know.  Sonic Youth, The Clash and David Bowie – bands that have good songs that are unmistakably their songs.  The band Late of The Pier, they are pretty awesome and from the UK; they have something there that I relate to for sure.  We like that French electronic scene.  There is a huge explosion of artistic expression there.  We were in France and met with Busy P, Sebastian, Kavinsky, Kasper from Justice, etc..

So any prospects of remixes with them?

Todd: Definitely.  But we’ll see,  we do have some good remixes that are being worked on including with Boys Noize  - Alex,  he and DIM did a mix together.

Where did you come up with The Faint as your band name?

Todd: It just presented itself.  There was no decision; it just was.  We didn’t have a name for a while and it was just kinda assigned to us when we did our first show.  On the flyer was a Roman Bailer reference, so we kinda considered ourselves as a band without a name until 1997.   We knew it was just going to come to us and it did.

Last but not least, what do you guys spend your time doing when not touring or making music?

Todd: Well, I like to make visual art collages and other artistic things.  Also I love playing pool, I love learning science, astronomy etc.  We are kinda the NPR and stoned cartoon watching kinda of guys – we can’t help it.  When we’re not doing band stuff we still hang out.

Thanks so much guys and I’m looking forward to seeing you guys live at your next show!!!  When is the next U.S. tour?

Todd: Our next tour in the States is in two weeks and after that in the Spring.

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Killahbeez Interview with Boys Noize

Posted on 30 September 2008 by Van

On several occasions at Killahbeez, we made mention to German electronica DJ, Alex Ridha aka Boys Noize.  I first came across Boys Noize’s music by way of Kitsune Maison’s only podcast.  The track was a remix to Feist’s “My Moon, My Man” on Kitsune Maison’s 4th CD compilation.  With a very distinct sound and Johnny “Guns” Love’s narrative, I was convinced to seek what other remixes were out on iTunes.  From Justice to Cut Copy, the man’s work is a wide array of epic tunes.  Busy P’s comparison of Boys Noize Records’ efforts to Ed Banger’s is not only a compliment, it’s the truth.  Between production work and gigs, Alex was kind enough to spare several minutes to answer questions we had for him.  Here goes…

Killahbeez: So Alex, can you tell us the origin behind the name Boys Noize?

Boys Noize: I was desperately looking for a “cool” name.  A name to scream and shout after a gig.  A name easy to remember.  A name considered more “prollig”.  A name that sells! A name that expresses the way I feel, the way I play, the way I love,  and MOST IMPORTANT the way I AM.  It had to be outstanding, innovative and timeless, too.  I came up with Laser Face and the single “Face the Laser” but I got into beef with DJ Tiga who wanted the same name for his side project :(  Boys Noize is actually the worst name because most of the people think of 2 guys and everyone writes the name wrong.  I also have other project names as Puzique, Morgentau, Eastwest, or 909D1SCO too.

KB: Who were some major influences in your career?

BN: Anything from Roule Records, Dance Mania, Kraftwerk and Tresor.

KB: Every dj/producer has a signature sound. How did you come about developing yours?

BN: After producing 10 years you get bored of a lot of sounds and I’m always look for something that surprises me.

KB: How important are lyrics in your tracks?

BN: I dont care about lyrics.  When I dj, I don’t like much vocals either.  It’s not easy to have cool vocals on a banging track.

KB: It appears you’ll be touring most of Asia in the upcoming weeks.  Do you have any plans on returning to the US?  We’d love to have you in DC.

BN: Yeah, I am coming back for sure.  For this year I only have dates in NYC & LA, but I’m gonna make a big tour in march09…aiaiai

KB: You’ve done a slew of remixes for artists such as Bloc Party, Depeche Mode, Feist and Justice.  What are all the processes involved in a remix?  Who approaches who?

BN: Its always different.  D.Modes manager contacted me saying that one of the band member is a big fan but it can also be the label that reaches out.  Then sometimes I do free remixes because I love the song.  In some cases, I’ll do swap remixes with other artists or you get asked by a friend like Housemeister

KB: On the topic of remixes, I really enjoyed your version of Phantom. Will you be remixing anymore tracks for Justice in the future?  Perhaps Planisphere?

BN: Thank you! Well, probably not from the recent album…let’s see.

KB: If there is one artist you would like to collaborate with, who would that be?

BN: Gonzales (Note: Gonzales is Feist’s producer)

KB: What can one expect from your live sets?

BN: Fun!

KB: Lastly, what should we expect from Boys Noize for the remainder of 2008 and beginning of 2009?

BN: I’m mixing the next I LOVE TECHNO CD which will be out in October due to the festival.  I’m working on new stuff & collaborations…too hot to mention yet :=)

Also noteworthy, is the release of Boys Noize Records Volume 1.  Expect top notch floor smashers from Boys Noize, Shadow Dancer, D.I.M., Housemeister, Les Petits Pilous, Siriusmo, Strip Steve, Puzique, etc.  The two cd compilation is now available.  For those in need of a live Boys Noize fix, he will be headlining at Webster Hall alongside A-Trak on October 3rd.  Another reason why I heart GBH.  The “Attack of the Unibros” tour finishes off in Montreal on October 4th.

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